“The sudden view of things from their reverse, usually unnoticed side, comes upon us as a revelation, and such revelations are precisely those of Art. In this most general sense, Distance is a factor in all Art.
(This) Distance is obtained by separating the object and its appeal from one’s self, by putting it out of gear with practical needs and ends. Thereby the ‘contemplation’ of the object alone becomes possible.
(However) Distance does not imply an impersonal, purely intellectually interested relation of such a kind. On the contrary, it describes a personal relation, often highly emotionally colored, but of a peculiar character. Its peculiarity lies in that the personal character of the relation has been , so to speak, filtered. It has been cleared of the practical, concrete nature of its appeal….”
Edward Bullough, Psychical Distance as a Factor in Art, The Problems of Aesthetics, Vivas & Krieger ed., 1953

